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Production began on March 12, , and concluded on July 14, Filming locations included Baton Rouge and New Orleans , Louisiana. As well as showcasing Iceland's volcanic landscapes, the film's director Joseph Kosinski sought to take advantage of the round-the-clock light, in particular the 6pm to 1am waning light known as " magic hour ", to "bring sci-fi out into the daylight", in contrast with films such as Alien , which spent their time in dark hulls or benighted planets.
The single most difficult scene to film was when Harper takes a break to admire the view and waters a flower. It was filmed by having Cruise sit next to an foot meter drop at the top of Iceland's Jarlhettur on the root of Langjökull , which is accessible only by helicopter.
Oblivion was filmed with Sony 's CineAlta F65 camera, which was shipped in January For the Sky Tower set built on a soundstage in Baton Rouge , Kosinski and cinematographer Claudio Miranda worked closely with visual special-effects house Pixomondo to establish both environment and lighting by the use of 21 front-screen projectors aimed at a huge wraparound backdrop to form one continuous image, rather than blue screen backdrops.
Had blue screen been used on the "glass house" Sky Tower, the glass would have disappeared into the blue lighting, and would have had to be reproduced digitally in post-production.
Even the "control table" which Victoria operates was filmed then displayed on a large screen. On June 28, , it was announced that French electronic band M83 would compose the soundtrack for Oblivion.
Obviously the Tron: Legacy collaboration with Daft Punk worked out as good as I would have ever hoped, [so] I wanted to do something similar in that I'm pulling an artist from outside the movie business to create an original sound for this film.
It had to be an artist whose music fit the themes and story I was trying to tell. And M83's music I felt was fresh and original, and big and epic, but at the same time emotional and this is a very emotional film and it felt like a good fit.
To guide Anthony Gonzalez of M83 through the scoring process, director Kosinski brought in Joseph Trapanese , who co-wrote the score alongside Gonzalez.
Kosinski states, "Together they have created the score that I have dreamed about since I first put this story down on paper eight years ago.
In an interview with Rolling Stone , M83 frontman Anthony Gonzalez said, "I started to write the soundtrack just reading the script, and then when you get the picture in, it's different, and you kind of switch to another vibe and change stuff and start experimenting a lot with the music.
The soundtrack album was released on April 9, , by Back Lot Music. It features an additional 13 tracks. All music is composed by Anthony Gonzalez and Joseph Trapanese.
Details about Oblivion were kept secret, though the studio was said to have been "very excited" about the film.
Promotions began April , with a part of the footage being screened at the CinemaCon despite the fact that filming had begun just one month prior to the event.
The footage was described as "a combination of early concept art, rough animation, and unfinished dailies ", showcasing a glimpse of the film's landscapes.
Oblivion was first presented in Buenos Aires on March 26, , Dublin on April 3, and in Hollywood on April 10 at the Dolby Theatre where Cruise himself announced before the screening that the film was actually the first feature to be mixed completely "from start to finish" in the latest state-of-the-art Dolby Atmos surround sound.
The DVD and Blu-ray for Oblivion became available online for pre-order in North America on April 24, , just five days after its initial release in the region.
The release was scheduled to be in both a standard and a SteelBook Limited Edition form. The Blu-ray releases will feature commentary with Tom Cruise and director Joseph Kosinski, deleted scenes, M83's isolated score, and a series of making-of featurettes.
The film closed on June 27, The site's critical consensus reads, "Visually striking but thinly scripted, Oblivion benefits greatly from its strong production values and an excellent performance from Tom Cruise.
Todd McCarthy of The Hollywood Reporter stated " Oblivion is an absolutely gorgeous film dramatically caught between its aspirations for poetic romanticism and the demands of heavy sci-fi action".
Tasha Robinson from The A. Club states that an "unsettling sense of not-quite-right coats all of the film's steely surfaces, and Kosinski and his co-writers give audiences plenty of time to absorb the unease and gear up for the action".
James Berardinelli of ReelViews calls the film "imperfect but some of its imperfections result from being overly ambitious". Kenneth Turan from the Los Angeles Times called the film "[m]ore adventurous than your typical Hollywood tent pole, Oblivion makes you remember why science fiction movies pulled you in way back when and didn't let you go.
Colin Covert from the Minneapolis Star Tribune states that the "film is rife with elements from its finest predecessors — Kubrick, Lucas, the Wachowskis and Pixar could be listed as creative consultants — but it has the spirit of a love letter to classic sci-fi, not an opportunistic mash-up".
Oblivion is so beautiful to look at. Richard Corliss of TIME stated that "[i]n space, Jack [Harper] hopes, someone may hear you dream.
But in a movie theater, no one will see you yawn. Jones of the Chicago Reader states that the "story eventually devolves into a grab bag of sci-fi tropes but, as with so many other Cruise productions, the sheer scale of everything is so mind-numbing that you may not notice".
Tom Long of the Detroit News states that "Kosinski offers plenty of action here, and he lets the plot reveals bleed out slowly explanations keep coming right to the end.
It's a dazzler, but the story lacks the impact of the futuristic look. Manohla Dargis of The New York Times states that the "agony of being a longtime Tom Cruise fan has always been a burden, but now it's just, well, dispiriting".
Louis Post-Dispatch states that "[i]nstead of developing characters, Kosinski pours most of his imagination into the annihilated landscapes and futuristic gadgetry.
Rene Rodriguez of the Miami Herald states that the "filmmakers don't even have the courage to see the story to its proper end, opting for a ridiculous finale that feels vaguely insulting".
And then you realize they don't. Too bad the movie's script wasn't given the same attention as its sleek, brave-new-world look. From Wikipedia, the free encyclopedia.
For its sequel, see Oblivion 2: Backlash. Theatrical release poster. Peter Chernin Dylan Clark Duncan Henderson Joseph Kosinski Barry Levine.
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